Movies

A Soulless Soul Mate

'Her' focuses on emotional anxieties, asking what happens when companionship and intimacy itself are outsourced to a rapidly evolving machine. What happens to us?

The Art of the Con

No moviemaker since Sturges has made the din of recrimination as funny as Russell does in 'American Hustle,' while Scorcese dazzles though 'Wolf' goes nowhere.

Odd Couples

Judi Dench radiates from a still center, and Emma Thompson confirms that she is the best movie actress in the English-speaking world.

Seeing as God Sees

Karen Kilby, Luke Timothy Johnson, and Bernard G. Prusak reassess Terrence Malick's 'The Tree of Life.'

What Is He Up To?

Our problems with 'The Tree of Life' are likewise problems with Malick’s peculiar cinematic language.

'The Use of Cinema to Do Theology'

There is no mistaking Malick’s theological intentions, nor for that matter the academic credentials he possesses to make such an effort.

'How All Things Fit Together'

One way of understanding Malick's film is as an attempt to present a vision of, precisely, everything.

All At Sea

'Captain Phillips' is thoughtful and electrifyingly exciting; 'All Is Lost' is Sisyphean hopelessness but also a Sisyphean defiance.

An Everyday Nightmare

In this film slavery creates a hell in which everyone burns—blacks and whites, men and women, victims and victimizers, the well-intentioned and the malevolent.

Weightless

As tearjerker banalities and bromides play out, on the visual side 'Gravity' compensates with a display of nearly overwhelming beauty and power.

Overstuffed

'Prisoners' is a very good movie -- but not the minor masterpiece it should have been.
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