In her new collection ‘Becoming Ghost,’ poet Cathy Linh Che tries to make sense of her family's history, the Vietnam War, and Francis Ford Coppola’s 1979 film ‘Apocalypse Now.’
The final twist in 'Conclave' is hardly sensationalistic: it raises real questions about how the Church accommodates people outside binaries of sex and gender.
In ‘Killers of the Flower Moon,’ Martin Scorsese serves up an inversion of history as we have come to know it, revealing his larger aim—the correction of memory.
For filmmaker Gianfranco Rosi, Pope Francis is a revolutionary, a man who calls on us to imagine a better world. But being a revolutionary comes with loneliness.
A recent spate of “eat-the-rich” shows and films—including the Oscar-nominated ‘Triangle of Sadness’—fail to offer any alternative to the ethos of the ultra-wealthy.
From 2019: The imaginary encounter between Ratzinger and Bergoglio is imaginative, and emotionally satisfying. But we need to remember that it never happened.
