Film & Arts
Emma Thompson has descried fairy-tale possibilities in the facts of Effie Gray's story; Kenneth Branagh does moderately well with an expedient "Cinderella."
Mailer, Trilling, Macdonald, Kazin, Maxwell, Bellow, Auden, O'Hara—men with public moral concerns, who seized power to shape American literature. But who were they?
Baxter reads fiction to “see bad stuff happening.” He writes characters who get into serious trouble, and face their own "human wreckage" at someone else's request.
The resonances of "It Follows" are varied and strange, touching on subtexts sexual, ethical, and sociological. The horrors in " '71" are frightening for being true.
Feeling emotionally robust, moviegoer? You’d better be if you intend to see 'Leviathan,' the acclaimed Golden Globe winner and Oscar nominee for best foreign film.
Most biopics try to penetrate the mystery of what makes a great artist, but 'Mr. Turner' deliberately preserves that mystery, and seals it into our hearts and minds.
As mainstream news organizations were losing their claim on authority and trust, Jon Stewart used smarts and comedy to establish his own journalistic credibility.
Lawrence painted what he saw and what he knew: strivers and beggars, children and prostitutes, gamblers and preachers, and above all women, like his mother.
Clint Eastwood's 'American Sniper' has provoked criticism from both right and left. It's awash in patriotic spirit, it glorifies war. It's also a pretty bad movie.
Ernest Hemingway’s long involvement with Cuba illuminates the recent normalization of diplomatic relations between the United States and that country.
'Selma' dramatizes one moment in the civil-rights movement when Martin Luther King, wracked by doubts and intimations of mortality, could have put his goals on hold.