Film & Arts
Alex Garland's "Ex Machina" is a deceptive movie about deceptions, most of all about the very human tendency to deceive oneself in order to feel needed.
From "Mad Men"'s central narrative vision—a conjuring of 1960s advertisers at work and play—some plotlines meandered this way and that, only to hit a dead end.
Iranian author Azar Nafiri defends the value of canonical American literature—its imagination and humanity—against Common Core, market analyses, and Babbitt.
The award-winning author of the story collection 'Night at the Fiestas' talks about her influences, the importance of empathy in fiction, and washing altar cloths.
Heaven, Purgatory, and Hell each has its own floor. Evoking horror, repentance and beatitude, more than 40 African artists exhibit a new look at Dante and divinity.
The pink of her plumage is borrowed from the shells of shrimp she snaps from the muddy grasses, as step-by-step she extends her stride across a kingdom not...
Sunday Mornings I’ve never found another name for Heaven except heaven-here—this walk around the block— our meeting-place-between we...
for Thomas Meagher and Ryan Justin Adams, Presbyters Non sum qualis eram A vestibule bathed in stained glass light for naming and claiming, chrism and...
Emma Thompson has descried fairy-tale possibilities in the facts of Effie Gray's story; Kenneth Branagh does moderately well with an expedient "Cinderella."
Mailer, Trilling, Macdonald, Kazin, Maxwell, Bellow, Auden, O'Hara—men with public moral concerns, who seized power to shape American literature. But who were they?
Baxter reads fiction to “see bad stuff happening.” He writes characters who get into serious trouble, and face their own "human wreckage" at someone else's request.