Baz Luhrmann’s 'The Great Gatsby' proves to be a triumph of both faithfulness and daring. It conveys some of the novel’s glories and possesses virtues all its own.
'Hannah Arendt' offers an immersion in the world of postwar New York intellectuals; 'A Hijacking' portrays the travails of a cargo ship set upon by Somali pirates.
In this film slavery creates a hell in which everyone burns—blacks and whites, men and women, victims and victimizers, the well-intentioned and the malevolent.
