In ‘Killers of the Flower Moon,’ Martin Scorsese serves up an inversion of history as we have come to know it, revealing his larger aim—the correction of memory.
An exhibition celebrates Lalo Alcaraz—the author of the first Latino-themed nationally syndicated political comic strip. It’s classic Alcaraz: direct and very funny.
The Whitney’s ‘no existe un mundo poshuracán’ exhibits not only the horrors of natural disasters and human incompetence, but also the power of resilience.
Massimo Faggioli reflects on the most recent elections at the USCCB, the sixtieth anniversary of Vatican II. Plus, Natalia Imperatori-Lee on artist Yolanda López.
A new book celebrates the fiftieth anniversary of ‘Will the Circle Be Unbroken,’ a groundbreaking crossover album that revealed marvelous sonic vistas.
Jamel Shabazz photographs a collective portrait of New York, documenting the varying degrees of humility that life in the city forces most of us to adopt.
The invasion of Bucha may be over, but its residents’ lives are shattered and the horror continues as they mourn their dead and process the destruction.
Inspired by the Welsh artist Gwen John, Celia Paul—one of England’s leading painters—reflects on the candor and vulnerability required for great portrait painting.
“To step outside my safe, warm car for just a minute each time I wanted to take a picture sucked all the air out of my lungs. It was exhilarating and terrifying.”
