Anne Enright's new novel suggests something simple—family, for good or ill, keeps forming us even when we try to escape it—but her prose constantly surprises.
Langdon Hammer's biography of poet and writer James Merrill is "wholly definitive" in scope, and threaded throughout with Merrill’s brilliant, always enlivening wit.
Iranian author Azar Nafiri defends the value of canonical American literature—its imagination and humanity—against Common Core, market analyses, and Babbitt.
The award-winning author of the story collection 'Night at the Fiestas' talks about her influences, the importance of empathy in fiction, and washing altar cloths.
Mailer, Trilling, Macdonald, Kazin, Maxwell, Bellow, Auden, O'Hara—men with public moral concerns, who seized power to shape American literature. But who were they?
Baxter reads fiction to “see bad stuff happening.” He writes characters who get into serious trouble, and face their own "human wreckage" at someone else's request.
Through the eyes of a middle-aged alcoholic grandson of an Auschwitz survivor, Michel Raub's fifth novel contemplates the infinite ways humans torment each other.
What kind of people don’t see their only sibling for years, then show up at her husband’s funeral? What kind of Irish joke are you?
Mary Gordon's latest collection of short fiction succeeds in showing that certain lies, by a kind of alchemy, can teach us the truth.
By day thirty-seven, he’d broken dozens of rules, so what was one more?
On a night in November 1913, between 42nd and 43rd streets in New York, Paul Rosenfeld, then a young man recently out of Yale and waiting for a job to open up on...
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