Abel Ferrara’s new biopic about Pier Paolo Pasolini evinces a highly personal, anti-institutional strain of Catholicism—where grace abounds in squalor and scandal.
This Lent, the art of Lucio Fontana intensifies the insights of monastic spirituality. Even our worst crimes are pardoned by Christ’s extravagant mercy.
In spite of all the ambition and selfishness that New York supposedly represents, I’ve found that the city’s density has encouraged me to forget myself.
