For much of the twentieth century, Black Catholics in Detroit created something remarkable: vibrant, self-made communities that fused Black American culture with Catholic tradition. From the late 1960s on, they trained their own liturgical leaders, brought gospel and jazz music into the sanctuary, and made Detroit the radical center of the national Black Catholic Movement. 

But in 1989, the Archdiocese of Detroit announced the closing of dozens of churches—unprecedented in U.S. Catholic history at the time. Those church closures disproportionately affected Black parishes in the inner city. That event would permanently reshape Detroit’s religious landscape and become the model for urban parish consolidations across the country, which continue to this day.

The City and the Cross traces that arc, from the improvisational origins of Black Catholic churches in the early twentieth century and the creative ferment of the 1960–70s through the devastating closures of 1989 and into the present, when another wave of church closures is looming. 

This is a “hidden” chapter of American civil-rights history: the story of multiracial resistance movements, the long battle to find a spiritual home, and a community’s refusal to disappear even as it accuses the institutional Church of failing to invest in its future.

Click here to listen to episode 1, “From the Ground Up.” For more information about Commonweal’s Centennial Fellowship, click here.

The City and the Cross

In this three-part narrative podcast series, inaugural Centennial Fellow Aaron Robertson chronicles the rise, erosion, and defiant survival of Black Catholic Detroit. 

From the Ground Up

In the first episode of our new limited podcast series, "The City and the Cross," host and inaugural Centennial Fellow Aaron Robertson traces the origins and flowering of Black Catholic Detroit, from Jim Crow to the birth of the Black Catholic Movement.

Aaron Robertson is Commonweal’s inaugural Centennial Fellow. He is a writer, journalist, translator (from Italian), and former book editor. His nonfiction debut, The Black Utopians: Searching for Paradise and the Promised Land in America (Farrar, Straus and Giroux, 2024), was named a New York Times Notable Book and was a finalist for the Los Angeles Times Book Prize for History, the Hooks National Book Award, and the Zora Award for Nonfiction.

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