Celia Wren is Commonweal’s media and stage critic.
By this author
Feel safer in the era of security cameras and GPS technology? Think again. In this intriguing, readable article from Philosophy Now, scholar Emrys Westacott lays out an unnerving argument: "Ubiquitous surveillance is like a magnetic force that changes the trajectory of our moral aspiration." The article begins:
Dante’s Inferno stands on its head in the mildly amusing, candy-colored series Neighbors from Hell, the first original primetime animated entertainment from the cable channel TBS. In the fourteenth-century terza rima masterpiece, a human voyaged through the infernal region, witnessing its hierarchy of torments. By contrast, in the TBS satire—which started airing in June—devil protagonists reluctantly leave hell to live undercover in suburban America.
I cant claim to be a regular reader of Der Spiegel online, but I did stumble across this fascinating article on the uproar over the latest edition of the Passion Play, the stage extravaganza that has been staged in Oberammergau, Germany, every 10 years since the early 17th century. The play, which reenacts the trial, crucifixion and resurrection of Jesus, is a cherished tradition in the village, and it attracts oodles of tourists.
Because it’s co-created by David Simon, the genius behind the justly extolled crime saga The Wire, the new HBO drama Treme faces a critical test. No, not ratings: I’m talking about the blackboard test. The Wire, which ran on HBO from 2002 to 2008, boasted such an ambitious sociological vision, such rich storytelling, and such—yes, I’ll say it—Shakespearean characters that, as a New York Times Magazine cover story recently reported, universities like Duke and UC Berkeley are offering courses on the series.
Its not often that you hear someone compare cutting-edge militaristic video games to Ovid, but Wired Magazine columnist Clive Thompson does exactly that in this fascinating conversation aired on NPRs program On the Media (heres the transcript).
L.A. Theatre Works, a California company that presents, records, broadcasts and tours old-fashioned radio-theater productions of worthy plays, has just birthed a drama about Robert F. Kennedy and the evolution of his interest in civil rights. Titled RFK: The Journey to Justice, and written by Murray Horwitz (who co-created the Broadway hit Aint Misbehavin) and Jonathan Estrin, the show made its debut about 10 days ago at the University of Notre Dames DeBartolo Performing Arts Center.
An article in yesterday's Washington Post examined an apparent uptick in movies dealing with religion, "spirituality" and....all that kind of stuff. The reporter defines the motif rather broadly. Still, the article contains some interesting insights. (I particularly like the observation that the movie "Up in the Air" is in some ways a modern "Christmas Carol." Rather a gloomy modern "Christmas Carol," I'd say...)
This interesting article from Biblical Archeology Review disputes the oft-cited hypothesis (see this pair of letters from readers in todays Washington Post, for instance) that the early Christians selected Dec.
Your eyes and ears tell you that Scenes from a Parish is a documentary. So does a source that might be more reliable: PBS. Had it not been so, you might swear that this study of an urban Catholic congregation was a novel: with its absorbing and wrenching multiple storylines knit into an eloquently disturbing civic vision, James Rutenbeck’s film—airing on the PBS series Independent Lens on December 29 (check local listings)—has a scope that’s positively Zola-esque.