Anthony Domestico is an assistant professor of literature at Purchase College, SUNY.
By this author
In Thirty Girls, the novelist Susan Minot has set herself several tasks, all of them difficult. First, she wants to imagine the seemingly unimaginable: what it must feel like for a young girl to be abducted and effectively enslaved in the Lord’s Resistance Army in Uganda. Second, she wants to lay bare the problems that confront the writer—and all of us—when faced with such atrocities. And third, she wants to dramatize both barbarism and our responses to it through the lens of a love story—the kind of fevered, haunting affair that readers of Minot’s previous novel, Rapture, will be familiar with.
Robert Stone, author of Dog Soldiers and A Flag for Sunrise, among other novels, died on Saturday at the age of 77. William Giradli has written that "a lapsed Catholic is the most devout Catholic of all," and Stone, who spent his early childhood in a Catholic orphanage, proved the truth of this claim.
Last week, Marilynne Robinson delivered a lecture at the Yale Institute of Sacred Music. In his introductory remarks, the poet Christian Wiman declared that reading Robinson's Housekeeping was, for him, a soul-shattering experience, one of those reading experiences that gives you faith in the power of a book to reveal something absolutely true and beautiful about the world and about yourself.
Readers of dotCommonweal might be interested in a conference that is taking place at Villanova on November 13 and 14. The conference is titled "Christianity and Criticism and Culture and ..." and it will consider how the Christian intellectual tradition might help us to better understand the culture we live in.
In case you all needed further reason to join Scott Moringiello in reading Marilynne Robinson's new novel, it has just been announced that Lila made the short list for the National Book Award. The other nominees include Emily St. John Mandel's Station Eleven, Anthony Doerr's All the Light We Cannot See, Rabih Alameddine's An Unnecessary Woman, and Phil Klay's Redeployment.
Few modern poets loved the world so fiercely, or looked at it so closely, as Amy Clampitt. Her best poems express an ecstatic delight in perception, giving the sense that the world is more than we thought it was—more beautiful and more terrifying, more astounding in its intricacy and more startling in its sublimity.
There's a long tradition of poets annotating their own work: think of T. S. Eliot's notes on The Waste Land, or Amy Clampitt's notes on The Kingfisher. Joshua Mehigan, whose new book, Accepting the Disaster, I'll be reviewing in an upcoming issue, has just provided annotations for "The Cement Plant," one of his collection's many poems about work. Here is his explanation of the phrase "killed some of them":
A Twitter hashtag has informed me that it's officially #NovelsByPoetsWeek.
This week, while browsing at St. Mark's Bookshop, I picked up James Longenbach's The Virtues of Poetry, a book of criticism published by Graywolf Press in 2013. To call this a "book of criticism," however, is to make it sound stodgier and more specialized than it is. Longenbach's book is a collection of linked essays, all examining what constitutes poetic virtue: what, in other words, are the distinctive excellences that poetry possesses, and how can we recognize these excellences when we see them?
April may be over, but poetry lives on! Here are some poetry links worth clicking on.
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