The second film we watched was Slumdog Millionaire; the story of the film's commercial success rivals the story of the main character's commercial success. Nearly released straight to video in the U.S., it ended up capturing a raft of academy awards earlier this year.So here's one question we talked about: Is Slumdog Millionaire an Indian film? An English film? An American film? Does it exemplify the dangers of globalization (and capitalisim) or does it highlight the benefits of "glocalization"--a global reference and intelligibility situated within the context of a particular culture and place?Here's another: does the film exploit the poverty in India, turning it into a type of poverty porn--or does it raise consciousness in a helpful way, within the limits of and with the tools of its genre?Anyone else see it?

Cathleen Kaveny is the Darald and Juliet Libby Professor in the Theology Department and Law School at Boston College.

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