Thats how Robert Silvers of the New York Review of Books, in a wide-ranging interview,characterizes the amount and type of writing being generated through social media (including Twitter and blog posts). He seeks a way to talk aboutthe kinds of prose, and the kinds of thinking, that result from the imposition of the tweet form and other such brief reactions to extremely complex realities:
My feeling is that there are millions and millions if not billions of words in tweets and blogs, and that they are not getting and will not get the critical attention that prose anywhere should have unless we find a new form of criticism.If a novel is published, we have a novel review. If poetry is produced, if a play or a movie or a TV show is produced, there are the forms of criticism we know. With the new social media, with much of the content of the Internet, there are very few if any critical forms that are appropriate. But this means that billions of words go without the faintest sign of assessment. And yet, if one cares about language, if one cares about the sensibility in which language is expressed, and if one cares about the values that underlie our use of language, such as affection, privacy, honesty, cogency, claritythen these media, it would seem to me, should qualify as the subject of criticism. We seem at the edge of a vast, expanding ocean of words, an ocean growing without any critical perspective whatever being brought to bear on it. To me, as an editor, that seems an enormous absence.