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Few Broadway stars can boast that their own soap-and-perfume line is for sale in the theater lobby. This retail coup has, though, been wrangled by Alan Cumming, the compulsively watchable satyr of an actor who headlines in the Roundabout Theater Company’s The Threepenny Opera. When intermission arrives at this bracingly dark musical, and you stroll from your seat to stretch your legs, you find yourself contemplating a display of Cumming’...

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About the Author

Celia Wren is Commonweal’s media and stage critic.