Books

A Damaging Institution

Two books on the American prison system: One about the role of religion on the inside, the other on what happens to former inmates on the outside.

How Jesus Became God

Bart Ehrman’s personal story of creedal captivity and academic liberation is a principal theme of his new book.

The Great Reformer

Through exposing Pope Francis's accomplishments, Ivereigh lovingly presents “the concrete Catholic thing” as something that has the power to create true solidarity.

Gay and Catholic

Tushnet's memoir illuminates a theology of friendship, the outward-looking call to love and serve, devotions to troubled saints, and a healthy anti-clericalism.

Ethics as a Work of Charity

How can it be true both that a person can be virtuous regardless of faith, and that faith is crucial for how we live? David Decosimo presents "prophetic Thomism."

Minding the Modern

In Pfau's account, when 13th century Franciscan theologian William of Ockham separated reason from will, it was the beginning of the modern evacuation of the self.

The Catholic Rubens

The Catholic painter Peter Paul Rubens presents a particular challenge to classification—decorative, theatrical, busy, pagan, and only superficially Christian.

The People's Republic of Amnesia

Chinese leadership sought to erase memory of the 1989 Tiananmen massacre entirely from the public, and they were highly successful. How? Four things.

Born from the Gaze of God

Written before he and seven fellow monks were kidnapped and beheaded in 1996, this personal journal reflects story of Algeria in crisis and courageous spirituality.

The Children Act

With his newest novel, Ian McEwan has effected a successful return to the moral and social complications of 'Saturday.'

The Charms of the Conqueror

Updike: Antithesis to today’s literary culture. Serenity, not struggle, his hallmark; praise, not pungency, his métier. And not one hour of writer's block.

My Two Italies

How can a civilization that produced Michelangelo and Fellini also have spawned the Mafia and Mussolini? And how can 'The Godfather' be an expression of ethnicity?
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