In this collection of essays, authors draw on “Theology of the Body" to present the Church as a place where women’s leadership can flourish. The results are mixed.
The result of her years-long quest to find fellow victims of smear campaigns, Dreger's 'Galileo's Middle Finger' reveals a problem larger than political correctness.
Centered around the missing bomber pilot from 'Life After Life,' Atkinson's 'A God in Ruins' examines the interplay of real life and the life of the imagination.
In his new book on labor, Thomas Geoghegan—a longtime labor lawyer in Chicago—lays out many of the depressing ways that American workers have been moving backward.
One of Merton’s gifts as a writer was the ability to insinuate himself into the lives of those he'd never met and remain a personal presence decades after his death.
Frank Bruni challenges elitist assumptions about what "counts" as a worthy education, and Fareed Zakaria defends the usefulness and versatility of the liberal arts.
Celan’s work has prompted an often reverential critical response. But his poetry is always difficult and sometimes agonizing; reading it provides no easy pleasures.
Narrated by the nameless victim's brother, Kamal Daoud's novel asks: Did Camus intend to use the Algerian murder victim in 'The Stranger' as a disposable prop?
Chen Guangcheng's condemnation of the Chinese state is told through his story of legal activism, resulting torture, trial, house arrest, and an escape to the U.S.
Biographer Randy Boyagoda paints Richard John Neuhaus as an unusually ambitious and politically engaged priest as public intellectual—but is his narrative too tidy?
Claudia Rankine’s 'Citizen' and Jeffery Renard Allen’s 'Song of the Shank' both take up the issue of race in America in jagged and beautiful poetry and prose.