During the last months of her life, Katherine Mansfield conceived of a different kind of writing—“stories that I would not be ashamed to show to God.”
Anne Enright's new novel suggests something simple—family, for good or ill, keeps forming us even when we try to escape it—but her prose constantly surprises.
Paul Moses's history of Irish-Italian relations in 19th century New York delves into the causes for "race war" between the immigrant groups and how they overcame it.
Langdon Hammer's biography of poet and writer James Merrill is "wholly definitive" in scope, and threaded throughout with Merrill’s brilliant, always enlivening wit.
If you ask me, being a writer is a little like falling in love. No matter how uncomplicated it seems at the start, it is always complicated. The trick is to persist.
Ireland's fiction laureate talks about sex and death in Ireland; Pope John Paul II's 1979 visit to the country; Kafka and kids; and her new novel, 'The Green Road.'
The pattern of income inequality is more than a social problem, Robert Putnam says; it's a social tragedy, most devastating in the lives of poor American children.
Many modern American thinkers have asked, often and with anxiety, "What is man?" In his latest book, Mark Greif thinks we've outgrown this—and it's a good thing.
In his final book, the late Peter Gay expands familiar notion of the Romantic rebellion against Enlightenment rationality, to the focus on artistic self-expression.
Readers "angered at the tortured logic of the editors" respond to the removal of Bishop Finn, Francis's failures, the value of "big history," and how to know Jesus.
Andrew Cockburn's 'Kill Chain' examines the disastrous political effects of the U.S. military's targeted assassination practices--and the true motives behind them.
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