The pro-British kings archeologist-turned-spy-turned-colonel T.E. Lawrence helped establish in Arabia, Iraq, and Transjordan made "Arab unity" a "madman's notion."
Often the way our society treats "senior citizens" assumes that as bodies age, individuality decreases. But aren't whiskers and white socks a sign of unique wisdom?
This integrative, enjoyable "book for beginners" still may hold surprises for scholars: nuns absolving sins, petitioners humiliating saints, a woman pope, and more.
Mailer, Trilling, Macdonald, Kazin, Maxwell, Bellow, Auden, O'Hara—men with public moral concerns, who seized power to shape American literature. But who were they?
Lawrence painted what he saw and what he knew: strivers and beggars, children and prostitutes, gamblers and preachers, and above all women, like his mother.
An exhibit pulls together an impressive collection of paintings, sculptures, and liturgical vestments to suggest the wide range of Marian images in Western art.
Matisse's cut-outs are back at the Museum of Modern Art, some one hundred in number as against fifty in 1992--and more transporting than ever.
The Catholic painter Peter Paul Rubens presents a particular challenge to classification—decorative, theatrical, busy, pagan, and only superficially Christian.
The poet discusses "accidental theologies," Gerard Manley Hopkins, faith in literature, and what it's like no longer being the editor of Poetry magazine.
This powerful show constitutes a record of those often unnamed individuals of the Civil War era, documented through the then-new medium of photography.
A vigorous and superbly contextual show, “Léger: Modern Art and the Metropolis”—at the Philadelphia Museum of Art—focuses on the artist's most experimental years.