How nonviolent and unlurid can a melodrama be and yet remain a melodrama? Ulee’s Gold, written and directed by Victor Nunez, provides a test case. Its plot has a kinship to the storylines of other melodramas about solid citizens trying to protect their homes from human predators-Cape Fear, Straw Dogs, The Desperate Hours. A Florida beekeeper, Ulysses “Ulee” (...)
Screen
Ulee's Gold & Mrs. Brown
Ulee's Gold & Mrs. Brown
The remainder of this article is only available to paid subscribers. If you’re not currently a Commonweal subscriber in print or online, an online-only subscription costs just $34 a year. Click here for immediate access.


