David Kepesh, the hero of Elegy, Isabel Coixet’s adaptation of Philip Roth’s The Dying Animal, is on a long sabbatical from intimacy. A professor and minor literary star in New York, he’s estranged from his son, the only child of a marriage that ended in a bitter divorce. He deems his more attractive female students fair game, but in-season only after final exams. Once Kepesh sleeps with the desired one, it’s Cole Porter time again: “No strings and no...
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