It’s odd to imagine Tom Stoppard as a fan of classic rock. Post-Romantic orchestral works, or maybe Baroque fugues, seem a better match for his plays, which inevitably weave ideas into dizzying symphonic and contrapuntal patterns.
Yet in the November issue of Vanity Fair, Stoppard confessed that he wrote Ar¬ca¬dia while listening to the Rolling Stones’s “You Can’t Always Get What You Want,” and penned The Coast of Utopia while hit...
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