That war is hell must always be a profounder fact than war is romance; nevertheless, war goes on being romance. Combine this with the further facts that the sea is romance, that the past is romance, and that the British imperial past holds peculiar romantic appeal for a large sector of the American middle class, and you can understand the opportunity Peter Weir seized when he (...)
Screen
Master and Commander
Peter Weir's Master and Commander
The remainder of this article is only available to paid subscribers. If you’re not currently a Commonweal subscriber in print or online, an online-only subscription costs just $34 a year. Click here for immediate access.


