Arrow shirts, furrowed brows, steely replies, and the Hemingway ethos of coolness-under-fire abound in Good Night, and Good Luck, George Clooney’s depiction of the televised joust between the newscaster Edward R. Murrow and Senator Joseph McCarthy. Photographed by Robert Elswit in black-and-white so stark that realism crosses over into Andy Warholian pop realism, this movie presents the CBS news bureau of 1953 as the epitome of buttoned-...
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