Great museums are living institutions. They grow by acquiring quality art consonant with their own (think of the Met in New York), or reshape themselves for greater access (think of the Louvre and I. M. Pei’s pyramid). Those that aspire to achieve greatness sometimes emphasize presentation at the risk of neglecting content (think of Richard Meier’s Getty or Frank Gehry’s Guggenheim Bilbao).
In 1921, when Washington, D.C.’s, Duncan...
The remainder of this article is only available to paid subscribers.
Print subscribers to Commonweal are entitled to free access to all premium online content. Click here to purchase a print subscription, or if you’re already a print subscriber, register now for premium access.
Online-only subscriptions provide access to all premium online articles for just $34/year. Click here to subscribe.