A friend coined a phrase to describe anything that is a cut above mediocrity but falls well short of excellence: “very OK.” And that’s what I would call the latest version of Jane Eyre.
Did we need another version? The stormy black-and-white chiaroscuro of the 1943 Joan Fontaine–Orson Welles...
The remainder of this article is only available to paid subscribers.
Print subscribers to Commonweal are entitled to free access to all premium online content. Click here to purchase a print subscription, or if you’re already a print subscriber, register now for premium access.
Online-only subscriptions provide access to all premium online articles for just $34/year. Click here to subscribe.