Before last summer the public seemed indifferent to fictional films about the “war on terror” and its putative extension, the Iraq invasion. Lions for Lambs, Rendition, Stop-Loss, the remake of The Manchurian Candidate, and several others all went down to defeat at the box office. But the hit of the summer, indeed what may turn out to be one of the biggest...
The remainder of this article is only available to paid subscribers.
Print subscribers to Commonweal are entitled to free access to all premium online content. Click here to purchase a print subscription, or if you’re already a print subscriber, register now for premium access.
Online-only subscriptions provide access to all premium online articles for just $34/year. Click here to subscribe.